Duke Fakir, last surviving member of the Motown pop legends Four Tops, dies at 88

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Abdul Fakir, who was known as Duke and was the last remaining original member of the Four Tops, one of Motown’s bestselling and most beloved groups, died Monday at his home in Detroit. He was 88.

His family said in a statement that the cause was heart failure.

Fakir sang first tenor with the Four Tops, who were inducted into the Rock & Roll Hall of Fame in 1990. The group’s hits not only helped define the “Motown Sound” but also the entire 1960s era of pop.

Their classics included the exuberant I Can’t Help Myself (Sugar Pie Honey Bunch) and the urgent Reach Out, I’ll Be There, both of which hit No. 1, along with the barrelling Top 10 staples It’s The Same Old Song, Standing In the Shadows of Love and Bernadette.

For two years, the Four Tops worked with Motown’s celebrated songwriting and production team Holland-Dozier-Holland, made up of brothers Brian and Eddie Holland and Lamont Dozier. After leaving the label in 1972, the quartet earned more Top 10 records with Keeper Of The Castle and Ain’t No Woman (Like the One I Got).

On all the group’s songs, Fakir’s high, smooth voice added grace to harmonies that supported the baritone lead vocals of Levi Stubbs.

The Four Tops retained their original lineup until death intervened. From 1997 to 2008, three members died of cancer. Fakir continued to record, and he was touring until the end of 2023, all the while taking on new singers to fill the group’s ranks while assuming the roles of both the Tops’ original link and the keeper of their legacy. He officially retired this year.

Abdul Kareem Fakir was born in Detroit on Dec 26, 1935, to Nazim Ali Fakir, a factory worker who was born in Bangladesh, and Rubyleon Wren, a minister’s daughter from Sparta, Georgia, who worked as a domestic and a choir director and played the piano.

At Pershing High School, Duke Fakir excelled at sports; he met Stubbs at a neighborhood football game. The pair became good friends as well as musical partners, and they were soon joined by two other local singers, Lawrence Payton and Renaldo Benson, who was known as Obie.

The quartet originally went under the name The Four Aims, indicating their goal: success. But after being signed to Chicago-based Chess Records in 1956, the label, a dominant one in rhythm and blues, suggested that they change their name to avoid con...

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